Create and manipulate melodies using a generative sequencer. Generate interwoven melodies with phase offsets and probability settings. Manually draw notes or disable generation. Send MIDI to external devices or use an included wavetable synthesizer.
Adjust stereo width with up to six bands. Correct mix imbalances or apply creative effects. Works as a VST3 and AudioUnit plugin. Available for free on Windows, macOS, and Linux. Open source under GPL license.
Record and process microphone input in real time. Adjust over a hundred parameters for effects. Use integrated LFO for modulation and compression. Access shimmer module. Export processed audio files.
Allows users to control multiple hardware and software instruments via MIDI controllers. Organize projects into sections for different song parts. Adjust instrument sounds and parameters within sections.
Record and edit up to 16 tracks of looped audio. Adjust track settings, use sound-on-sound and overwrite modes. Supports Inter Audio and AudioBus for virtual instrument integration. Customize loops and perform live recordings.
A virtual instrument plugin for creating synth sounds. Features five unison saw waves, adjustable filters, modulation options, and envelope controls. Supports MIDI input for playback. Runs standalone or as an AUv3 plugin in compatible hosts.
Create and manipulate audio using up to 10 band pass filters displayed as . Adjust resonance, delay time, and feedback per band. Modify cutoff frequency and resonance across bands for custom sound effects.
Simulate the ANS synthesizer by drawing spectrograms to create music. Adjust parameters like pitch, amplitude, and envelope. Play back compositions and export audio files. Learn about the history and unique capabilities of the ANS instrument.
AUv3 is a virtual analog synthesizer with undo/redo, A/B comparison, and 2x/4x/8x upsampling. It includes macro controllers and a scalable GUI. Users can reload the demo version for repeated free play sessions.
Apply twelve filter algorithms, including MS20 emulation, for sound shaping. Use an envelope follower with stereo sidechain input for dynamic filtering. Access a full FSU section for signal manipulation.