Showing 221–240 of 1,000 ranked alternatives.
Synclavier Digital Corporation Ltd
Synthesize, record, and play sounds
Create and manipulate complex sounds using a vintage synthesizer interface. Adjust filters, envelopes, and oscillators. Control via MIDI, MPE, and Ableton Link. Export audio files and integrate with AUv3 plugins.
CREATELEX LLC
Play drum kits and tap to record
Learn drum rhythms with real drum sound kits. Tap to receive text feedback. Access high-quality, mastered drum kit sounds. Play multiple drum kits simultaneously.
Steinberg Media Technologies GmbH
Record, edit, mix, and share music.
The app offers unlimited audio and MIDI tracks with a 32-bit floating point audio engine. It includes real-time time-stretching, pitch-shifting, and a studio-grade channel strip with 17 effect processors.
BLEASS
Create and share pitch-shifted performances
Applies pitch shifting and reverb to audio, emphasizing harmonics and creating ambient effects. Users can adjust reverb thickness, pitch modulation, and harmonic balance.
Daniel Larsson
Track and edit chiptune music
Create and edit chiptune music using SID sound chip emulation. Import and remix bundled songs. Adjust tempo and use advanced table editing. Export tracks in multiple formats. Share creations directly.
Dmitrij Pavlov
Create basslines and drum patterns
Create and customize basslines with a synthesizer and drum machine. Adjust waveform shapes, filter settings, and envelope parameters. Sequence rhythms with step editors and pattern loops. Export audio files and share directly.
Frederic Corvest
Shape audio attacks and sustain
Adjust attack and sustain stages of audio signals. Apply precise dynamics processing. Customize shaping parameters. Compatible with audio editing software. Suitable for drum enhancement and other audio applications.
Bram Bos
Record and import sounds
Create and manipulate audio using synthesis. Import WAV files, record audio, or live-process sound. Adjust parameters for texture, pitch, and timing. Export and share custom audio creations.
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