Showing 261–280 of 1,000 ranked alternatives.
Neointro
Stream and podcasts offline
Manage playlists by adding, deleting, and organizing songs. Access multiple sources including YouTube, Apple , and cloud storage. Adjust sound quality with bass, treble, and equalizer settings. Play 100K radio stations.
YOO JIN NO
Play music files directly
Play music files in formats like MP3, M4A, FLAC, and WAV. Import files directly without iTunes sync. Transfer music via local Wi-Fi. Cast to AirPlay or Google Cast. Bookmark favorite songs with the heart function. Shuffle all music.
Yamaha Corporation of America
Control Yamaha CL mixing console functions remotely.
The app offers remote control of Yamaha CL digital mixing console functions. It allows engineers to adjust monitor mixes from performer positions on stage via the iPad.
Tu Phan
Stream for focused work and relaxation
Play from fifteen curated playlists including spa, meditation, and lullaby. Choose playback modes like sequence, random, or repeat. Customize favorite playlists and enjoy high-quality audio with background images.
Jose Varela
Solve puzzles
Solve to recover Chinese zodiac medals. Remove paired free tiles from 47 rooms. Access 564 unlocked layouts. Use infinite undo, hints, and shuffle. Shade unplayable tiles. Play in real 3D.
Enigma Studio LLC
Stream holiday and lyrics
Play offline with 80+ holiday hits. Create playlists, set reminders, and sync with Apple . View song lyrics and artist information. Share via AirDrop or social media.
Alexander Randon
Arpeggios controlled by thumbs and motion.
The app is a matrix-controlled arpeggiator that allows users to play arpeggios with their thumbs. It offers control over pitchbend, tremolo, and vibrato using the iPad's accelerometer.
Yamaha Corporation of America
Control Yamaha QL mixers remotely from iPad.
The app offers remote control of Yamaha QL digital mixing console functions through an intuitive interface on the iPad. It allows engineers to adjust monitor mixes from performer positions, improving setup efficiency.
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