Showing 141–160 of 1,000 ranked alternatives.
Yamaha Corporation
Edit effects and looper settings remotely
Control effect parameters and looper settings via Bluetooth. Switch between chorus types, delay types, and reverb types. Adjust effect parameters for Double detune, 4 Voice, Simple, Analog, Hall, Room, and Plate.
UVI
Play with realistic concert grand sound
Play using a realistic virtual instrument modeled after the 275 Titanium Grand . Adjust touch sensitivity, select from multiple samples, and customize sound settings. Save and share performances directly.
Loop-Sessions.LLC.
Record files and edit settings
Record in WAV or M4A formats with mono or stereo settings. Choose microphone input for monoral or stereo recording. Adjust playback effects and save recordings for business or entertainment use.
Kymatica AB
Equalize audio with precise control
Adjust audio with four parametric stereo equalizer bands. Set gain, frequency, and Q for peak filters. Use low-shelf and high-shelf filters with adjustable gain and frequency. Enable or disable each band individually.
erik sigth
Process samples into granular sound
Create and manipulate audio using granular synthesis techniques. Adjust grain size, direction, and step size. Apply effects such as reverb, wave shaping, and sample crushing. Connect via AudioCopy, AudioBus, Inter Audio, and AUv3.
Wirepath Home Systems, LLC
Watch live video and playback recordings
View and control Wirepath Surveillance DVRs and cameras remotely. Watch live video in single or split screen modes. Switch cameras with swipe gestures. Playback recordings by alarm, motion, or time. Capture snapshots to the photo library.
Nikolozi Meladze
Build custom synths and audio effects
Create custom polyphonic synthesizers and audio effects using modular components. Arrange modules on lanes to process audio signals. Build complex processors. Run as a standalone or AUv3 plug-in in DAWs like Logic Pro and Cubasis.
FabFilter
Process audio with multiband compression
Allows users to apply multiband compression and expansion to audio. Users can adjust up to six bands across the frequency spectrum. It offers Linear Phase, Minimum Phase, and Dynamic Phase processing modes.
Kymatica AB
Create delays, echoes, and tape effects
Create stereo delays with adjustable parameters for various sound effects. Simulate tape characteristics with noise and warble. Apply filters in the delay loop for dub-style tones. Support stereo delay, detune, and ping-pong effects.
Bram Bos
Play, record, and edit drum beats
Create and customize beats using a built-in drum synth. Import or select from numerous WAVs and loops. Access classic drum sounds and patterns. Integrate with plugin ecosystems for expanded creative options.
Cosmic Taps SL
Set tempo, adjust beats, tap to start
Set tempo using 36 preset options or manual adjustment. Choose beat divisions from 1/1 to 1/8. Increase or decrease tempo by 1 or 10. Requires iPhone speakers and active sound output.
Oliver Greschke
Process audio effects and route signals
Process audio with up to four effects. Route audio from external devices or sound files. Connect to iOS drum machines or synthesizers via Inter- Audio or Audiobus. Adjust effect parameters for sound shaping.
Yuri Turov
Sequence and generate musical patterns
Create and sequence musical patterns using a 32-step matrix. nd manipulate synth sounds with generative features. Connect via MIDI to external synthesizers for real-time control and sound shaping. Adjust parameters to customize tones and rhythms.
Oliver Greschke
Stream beats and create rhythms
Create and customize drum patterns using synthesis models. Adjust parameters like pitch, timing, and velocity. Layer multiple drum sounds. Export projects and share files. Sync with MIDI devices.
ConTempoNet S.A.S. di Maurizio Refice & C.
Process audio with modular effects
Create and manipulate audio with a synth, varispeed stereo sample player, and multiple effects. Adjust parameters with dedicated LFOs. Use preset sounds or build custom effects with modular chains. Sync external audio applications.
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