Glitch audio with micro loops
Manipulate audio by creating micro loops and scrubbing sound. Set loop points and adjust lengths. Reverse live audio. Rearrange audio in real time. Compatible with host apps like AUM and GarageBand.
Showing 701–720 of 1,000 ranked alternatives.
青兆 李
Split tracks, isolate vocals, edit audio
Separate vocals and instrumental stems using AI audio analysis. Export high-quality isolated tracks and mixed versions. Split audio files into individual stems for editing or remixing.
Jens Guell
Shift frequencies and process audio
Extended allows users to manipulate audio streams using a Bode-style . Apply pitch shifting, detuning, and modulation effects. Adjust parameters for tone shaping and sound transformation. Works across Mac platforms.
Steinberg Media Technologies GmbH
Stream audio and edit tracks
Create and edit music with virtual instruments, MIDI sequencing, and audio recording. Arrange tracks, adjust parameters, and export projects. Supports hardware integration for advanced features.
Frederic Corvest
Stream audio effects and modulate parameters
Create and customize audio effects with adjustable LFO and diverse waveforms. Sync LFO to host tempo and apply external modulation. View modulation and output levels via Butterfly Meter. Adjust phase modulation distance for stereo effects.
Jonathan Bell
Generate clean guitar riffs instantly
Generate clean guitar arpeggios with customizable settings. Tap "Create" to instantly generate riffs. Adjust tempo, scale, and pattern type. Export riffs as audio files. Integrate with DAWs for music production.
n-Track S.r.l.
Record, mix, and share music easily.
The app is a multitrack recorder for audio and MIDI. It allows users to record, mix, and add effects to tracks.
Jeff Holtzkener
Create music with geometric patterns
Create and manipulate musical patterns using geometric transformations. Generate loops with shapes and apply rotations, reflections, and folds. Edit melodic lines and visualize rhythms on a circular timeline. Export and share compositions.
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