Apps Like Hyperion Synthesizer for iPhone and iPad
Hyperion Synthesizer screenshots
Ranked alternatives
Showing 81–100 of 1,000 ranked alternatives.


touchscaper
Rob Jackson
Touch and create music with your fingers
Create music by touching the screen to play notes and adjust sounds. Use multi-touch surfaces like radar, ribbon, or keyboard. Move fingers to modify tones. The semi-generative engine selects suitable notes automatically.


Elastic Drums
Oliver Greschke
Stream beats and create rhythms
Create and customize drum patterns using synthesis models. Adjust parameters like pitch, timing, and velocity. Layer multiple drum sounds. Export projects and share files. Sync with MIDI devices.


BLEASS Voices
BLEASS
Pitch shift and harmonize vocals
Edit audio with pitch shifting, formant control, and tone adjustments. Create harmonies and doubles with up to 12 . Transpose individual by an octave or flatten to a chosen pitch. Adjust width and placement for vocal effects.

Crystals Harmonizer®
Eventide Inc.
Create pitched delays and reverbs
Create pitched delays and reverbs using twin reverse pitch shifters. Manipulate granular delay length and pitch. Add depth to synths, guitar, and vocals. Includes reverse delays and reverb effects for sound design and solos.

Egoist
Sugar Bytes GmbH
Extract grooves from any audio file.
The app loads audio files to extract grooves. It includes bass, beat, and effect units for track sketching.

Fractal Bits
Alexander Zolotov
Generate unique drum sounds with algorithms
Create and explore drum sounds using algorithms. Generate unique sets of 12 drums with 8-character codes. Save, copy, or paste codes for later use. Access sounds via AUv3 and Audiobus.


VS – Visual Synthesizer
Imaginando Lda
Visualize audio and MIDI data in real
Create visualizations using audio and MIDI data. Customize graphics with 8 layers that use shaders, images, or videos. Generate dynamic visuals in real-time during music playback. Adjust parameters to control effects and synchronization.

Pure Acid
Dmitrij Pavlov
Create basslines and drum patterns
Create and customize basslines with a synthesizer and drum machine. Adjust waveform shapes, filter settings, and envelope parameters. Sequence rhythms with step editors and pattern loops. Export audio files and share directly.

tardigrain
erik sigth
Process samples into granular sound
Create and manipulate audio using granular synthesis techniques. Adjust grain size, direction, and step size. Apply effects such as reverb, wave shaping, and sample crushing. Connect via AudioCopy, AudioBus, Inter Audio, and AUv3.


Pure Upright - Virtual Piano
e-instruments lab GmbH
Play in pop, R&B, and hip-hop genres
Play samples across pop, R&B, and hip-hop genres. Adjust touch sensitivity and velocity. Record performances and export audio files. Sync with iOS devices for real-time playback and editing.

MIDI Guitar
Jam Origin ApS
Play , record in real-time
Play and convert notes into in real-time with high accuracy and low latency. Record performances, edit data, and sync with DAWs. Supports polyphonic pitch detection and articulation recognition. Export files and share recordings.

Pure Strings Instrument & AUv3
e-instruments lab GmbH
Play with touch-sensitive pads
Create and shape string sounds using a touch-sensitive Morphpad. Choose from nine sampled articulations and textures. Blend and morph between different string ensemble options. Adjust and layer sound effects for customized musical expressions.


Flynth - Synth & Arpeggiator
Fingerlab SARL
Play sounds, edit presets, and create music
Create and customize sounds with a wide range of synthesizer presets. Adjust knobs and parameters to design unique tones. Load AudioUnit plugins in DAWs. Connect via MIDI to external keyboards.

Mela – AUv3: Synth, FX, MIDI
Nikolozi Meladze
Build custom synths and audio effects
Create custom polyphonic synthesizers and audio effects using modular components. Arrange modules on lanes to process audio signals. Build complex processors. Run as a standalone or AUv3 plug-in in DAWs like Logic Pro and Cubasis.
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